![]() ![]() “The fascinating thing about these sorts of systems in general, both in America and in England, is that nobody ever really knows whether they’re in or out.” “I was kind of like Oliver, mostly outside of it but occasionally having seen it as well,” Fennell says. “It definitely wasn’t quite as sexy.”ĭid she consider herself an outsider like Oliver or more of an insider like Felix? “But I’m afraid the similarities end there,” she says. Fennell, who attended the elite boarding school Marlborough College and studied at Oxford, is the daughter of jewelry designer and socialite Theo Fennell and author Louise Fennell.įennell, though, is reluctant to draw any connections between the high society of her youth and “Saltburn.” Yes, the 37-year-old grants, she attended Oxford around the same time as the characters in the film. Once the pandemic subsided, Fennell’s focus turned to “Saltburn,” a film that seemingly could have pulled from her own experiences. I mean, everything was surreal, so it kind of felt like another surreal thing.” So it maybe didn’t feel as surreal as it might. “Because of COVID, I was in a bubble with my young family. “None of us had anticipated how amazing the response would be,” Fennell says. In that first pandemic year, it went on to be nominated for five Oscars including best picture and best director. The opportunities were many for Fennell after the success of “Promising Young Woman.” The film, a blackly comic feminist revenge thriller starring Carey Mulligan, was one of the most talked about movies of 2020. Things get steamy, weird and dark as Fennell toys with class as she did with gender in “Promising Young Woman.” In the summer of 2006, Felix invites Oliver to his family’s estate where he fits in sometimes awkwardly and sometimes smoothly but increasingly eerily with the extravagant flow of life. Their relationship has strong echoes of “The Talented Mr. ![]() ![]() It stars Barry Keoghan as Oliver Quick, an Oxford University freshman on a scholarship who’s drawn to a dashing, aristocratic classmate named Felix Catton (Jacob Elordi). Like that film, “Saltburn,” which Fennell wrote and directs, includes Margot Robbie as a producer. That was her as Midge, the pregnant doll, in Greta Gerwig’s “Barbie.” (Fennell, alas, said she couldn’t comment on her role in “Barbie” due to the actors strike.) And given the bleakly vengeful conclusion of her provocative debut, it’s safe to say that things get quite a bit bumpier at Saltburn than they ever did at Downton Abbey.įennell has already been a memorable part of one conversation-starting film this year. 24, Fennell applies her particular and potent brand of pressure to the one of the longest standing British genres. In “Saltburn,” which opens in theaters Nov. “It felt like an incredibly well-worn and therefore intriguing genre to start looking at and applying pressure to.” “I really wanted to make a movie that was a take on the classic English gothic story,” Fennell says. ![]() And when the dust had settled on “Promising Young Woman,” her incendiary Oscar-winning directorial debut, Fennell, too, wanted to make her way to a fictional stately manor. These are some of the books that Emerald Fennell grew up devouring. “Brideshead Revisited.” “The Go-Between.” “Remains of the Day.” “Rebecca.” Progress: North Okanagan Business Review and Forecast 2018Ĭountless English protagonists have for decades been making their way to grand country estates where their lives are irrevocably changed.Discuss your favorite titles, find a new one to play or share the game you developed. ![]()
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